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Streaming The One Online. Movie Title: The One Average customer review: The One is available for streaming or downloading. Click Here to Stream or Download The One

The One is a accurate “man’s” action movie, fat of fighting which is made better by the astronomical heavy metal music selections. This movie starts out hasty and rarely lets up, pitting the baddest martial arts action hero in movies against himself, it’s enormous! Other reviewers are true, there could be a better fable line, but with all of that action and one of the best endings in action movie history, chronicle line is secondary.

The one is a very innovative action movie. The listless mo an snappy paced action sequences were very frigid. The movie has a somewhat fervent residence that the filmakers run too like a flash through objective to obtain to the action. I feel that Jet Li is a incredible actor, his english has improved with each American film that he has made. One spacious thing to eye is that he finally has a adore interest. He collected has never kissed a woman in any movie I have seen. To people who have seem Jet in Asian movies like myself there collected seems to be something missing in his american movies. If you have not really seen Jet Li before this movie should study your interest. The film is apt and I recomend it but how can any Jet li film live up to past masterpieces like Fist of Memoir, fong sai yuk, or the Once upon a time in China series. Go peep this movie unprejudiced for the kill sequence where each Jet Li fights with different kung fu styles. It is nice to discover Martial arts done by a Martial artist.
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Watch AC/DC: Plug Me In Online. Movie Title: AC/DC: Plug Me In Average customer review: AC/DC: Plug Me In is available for streaming or downloading. Click Here to Stream or Download AC/DC: Plug Me In

OK, impartial pop in disc 1, gape at the hilarious arcade computer game menu, and you know it’s gonna be fun. Because AC/DC was and is always in for a bit of fun. Have a reliable time, while rockin’ out. Judged from the convey on this boxset, that is very positive. Catch “Hell Ain’t A Abominable Status To Be” and you impartial can’t not bang your head a itsy-bitsy bit to the electrifying sound, which, on this track, sounds absolutely luminous, beautifully remastered for this release. The really worn clips before that sound a bit muffled, probably because of age. Further on the sound is varying between spectacular and a bit cranky.

I understand that the restoration people only can do so worthy, but I’m very ecstatic with their clean-up work.

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At last, with this release, we find to spy Bon Scott’s laughable stage persona in beefy, making comic faces and winking at the cameras. In “Rocker” you can’t cessation laughing when Angus goes into the frozen (from shock? ) audience and gets in their hair. More jokes from the band as they nick off Pete Drummond’s intro speech on camera, and unbiased kick off with “Pickle Child”.

The selection of songs is very first-rate, although I suspect that some fans will miss their personal favorites.

Rounding out disc 1 are some cold vintage interview clips with the band and one long interview with a very laid wait on Bon Scott.

Disc 2 contains live material with singer Brian Johnson. As there are several live dvd releases out there featuring Brian, most fans are familiar with Brian’s showmanship. It’s nice to gape some of his most early footage with the band, from 1981, including some interview clips, where he admitted that he didn’t realise what he was in for or how tremendous the band already had become.

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Especially chilly is the VH-1 clip where we eye the band in a very itsy-bitsy studio residence as opposed to the great stages we have seen them up until now, but with a generous sense of being a tight unit and comfortable with each other and objective enjoying playing rock n’ roll together. Rehearsal footage made during the soundcheck for this session is presented as a bonus, also very wintry. We scrutinize Angus playing with a cigarette in his mouth and unbiased jamming along. The sound starts out a bit crap, because it’s a soundcheck, but later on we win to hear the instruments getting into the mix and Brian’s dancing along.

The other cold extra on this disc is live footage taken from the Rolling Stones 40 Licks tour, where AC/DC probably shared the bill on that day in 2003.

Angus and Malcolm join the Stones on stage to play “Rock Me Baby”, an mature B.B. King blues track. Keith and Ron Wood and Angus doing his usual comic thing, unprejudiced a pleasure to contemplate. You can grunt by the scrutinize on all of their faces that The Stones and the Young brothers really had some fun there.

Disc 3 contains first of all some tracks that have been slice from disc 1 and 2. Why not effect it there in the first space? I don’t know. Maybe to ensure characterize and sound quality with a high bitrate on those discs. Maybe to give the fans some extra stuff for buying the Collector’s Edition. Among the highlights is a clip with band rehearsal footage from 1983, where we glimpse the band playing facing each other, a situation up anyone who’s playing in a band will recognise. Broad stuff.

Also featuring on this disc is a broad fraction of a concert filmed in 1983 in Houston, with 9 songs in a row. A bit of a shame that they didn’t place the entire gig on here.

All in all, I had a sizable time going through all this stuff, and I’m very happy that live material from the Bon Scott era has been made available. I detached can’t occupy the energy Angus has when I peep him play (I myself saw AC/DC play in 1988 and 2000) . The intention he moves like he’s on pudgy tilt and bangs his head, as if he’s the greatest fan of the band, and then play so effortlessly, unbelievable. Especially the outmoded stuff is broad where he looks unbiased like a kid (and probably was) .

Apart from the large dvd’s you net a nice booklet, and some facsimiles from broken-down concert tickets and backstage passes, and a concert poster from 1979.

A spectacular region for a gargantuan notice. Highly recommended! And Amazon, please, don’t list this as a Rolling Stones release, they’re on 1 bloody track for pete’s sake. This is AC/DC, man.

I agree with Brian on many of his points and I have a few things to say about this 3 DVD residence..

I bought it today (3 DVD plot) at Best Steal for $34.99. IF you bought a Audio CD Sampler they have avaiable of Race ME IN.. ONLY thru Best Acquire for $1.99..you score a coupon with the CD worth $3.00 off the imprint of either DVD space. They are selling the 2 DVD position for $16.99. Both of these prices last until 10PM on October 20th.

As far as the quality of this area and the 3rd DVD…Here goes

The sequencing on this is dissapointing…AND for those of you have acquired AC/DC video material in the past (bootlegs) ..you also know that most of these performances are not only out of sequence..but are also INCOMPLETE…like some songs were left off the DVD intentionaly.

This is quite evident in the Bon Scott material.

I have a expansive ROIO DVD (called LIVE WIRE…LIVE FROM EUROPE 1977-1978 from the Captain Video Ticket) of all three of the Bon Scott Concerts from the Rock Goes to College, Seek and Sound and the Apollo Glasgow Scotland..and they are all COMPLETE performances and I have to say actualy BETTER video quality than what’s provided on this disc. The audio on this DVD is in sync with a Stereo mix and is outstanding..but songs are missing..and some of these songs that are missing are on the Family Jewels DVD site..i.e. RIFF RAFF from the Glasgow is the first song..with R& R Damnation is second and so on..

The 1983 Summit Houston TX concert is of generous quality for its day..being shot on 3/4″ videotape (Video geeks will know what this is) and the audio is a “live mix ” from the video..not post produced in stereo or anything..unprejudiced a basic 2 channel mono mix with the mix at the mercy of the FOH audio engineer. BUT as the other concerts on here..it is INCOMPLETE….the concert IS played in sequence for what was played on the Flick Of The Switch tour..but its missing the 5 last songs of the concert….after Hells Bells which is the last song on the disc..its missing Highway To Hell, Whole Lotta Rosie, Let There Be Rock, T.N.T. & For Those About To Rock.

The interview stuff on the 3rd DVD is spirited, but IMO not really enough to bewitch the 3 DVD residence.

The only reason to have the Bonus disc iS if you really want/love the Flick Of The switch tour for the Houston TX point to. The poster (which is handsome wintry…but), backstage passes, heed stubs, etc..that are included in the 3 DVD state are all to me objective a demolish of time/material unless you are into that kinda memorabilia. Instead of the memorablila stuff..I myself would have rather had another DVD included with COMPLETE & in sequence concerts from the Wing On The Wall, Who Made Who, or Blow Up Your Video tours..which ARE in existance!

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Stream I Vitelloni - Criterion Collection Movie Online. Movie Title: I Vitelloni - Criterion Collection Average customer review: I Vitelloni - Criterion Collection is available for streaming or downloading. Click Here to Stream or Download I Vitelloni - Criterion Collection

Trapped in a timeless sphere without pressure of accomplishment, maternal love nurses five men way past their adolescence in a small tourist town by the Adriatic Sea in post-war Italy. These five men drift around dreaming of an escape from the town, but a lack of motivation keeps them prisoners at the seaside location. The mutual motivations for the five men that keeps them adrift are women, wine, and the stories they tell each other. However, each character has his own motivating factor that drives him forward in daily life.

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The group of the five men consists of Fausto (Franco Fabrizi), Alberto (Alberto Sordi), Leopoldo (Leopoldo Trieste), Riccardo (Riccardo Fellini), and Moraldo. The group’s leader Fausto, a perpetual flirter, has gotten a young beautiful woman pregnant. Fausto’s father insists that he do the right thing and marry the girl before she is disgraced in public. The lazy Alberto is the groups clown who is dependent on his mother whom he will never leave. Alberto frequently pleads for money from his sister as he is continuously broke. Eventually Alberto finds out that his sister has a married lover and it angers him. Leopold an aspiring writer and the intellectual of the group dreams of fame and success. The singer Riccardo follows the group on its nightly adventures. Moraldo is a philosophical moralist that wanders the streets at night deep in thought as he sees faults in the way they all live life. However, Moraldo has not yet found the courage to leave the small seaside town.

I Vitelloni is the second film that Fellini directed by himself which he also co-wrote with his talented brother, Riccardo Fellini. Riccardo and Federico based the script on semi-autographical accounts from their home town and a life which they both were very much inclined to depict. Unlike many of Fellini’s later films I Vitelloni displays some of the Italian neo-realistic cinematic qualities that were common in the period when the film was shot. The realism brings an honest and warm atmosphere to the film which emphasizes the true nature of the characters. Realism in the script allows the audience is to experience an examination of the different characters in the film. This character study brings the audience candid emotions and a brilliant cinematic experience that warms the heart as there are hopes and dreams for us all.

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A group of middle class “yoots” hang out together, bonded by common roots and experience, but also by the process of self-discovery as the onset of adulthood face them with the coming of responsibility and the isolation of individuality. The focus of this fracturing process falls on one guy who discovers that his girlfriend is pregnant. If the plot sounds familiar, well it’s because coming of age is a universal experience that crosses generations and cultures, and rarely fails to to produce an intense sense of nostalgia.

What differentiates Fellini’s film (beyond the fact that it pre-dates similar fair from the French New Wave, British 60’s, Graffiti-Flatbush-Diner, etc. whose original accessibility make them more familiar) is simply the sheer talent of the story-teller. The man could present characters and situations that still move and enlighten us. His later, more famous epics of excess were well grounded in this same exquisite sense of humanity. This is the first excellent film by one of film’s most excellent directors.

Streaming Apocalypse Now - The Complete Dossier Online. Movie Title: Apocalypse Now - The Complete Dossier Average customer review: Apocalypse Now - The Complete Dossier is available for streaming or downloading. Click Here to Stream or Download Apocalypse Now - The Complete Dossier

I’m a hardcore Apocalypse Now fanatic, and this, the new version of the film, is what made me one, several years ago. Reviewers like to debate endlessly over which version is better, this or the Redux. Personally, I like both, but I catch this new version to be more surreal, relentless, and, to quote another reviewer, more “risky.” The fact is, Coppola faded different shots and edits in the Redux, in some cases diluting the surreal impact of the unusual. Plus the characters Kilgore and Kurtz approach off more strongly in the original; positive, we accumulate to scrutinize more humanity from Kilgore in the Redux, but his exit in the fresh is powerful more memorable, grand better than the “tossing megaphone into the air” antics as shown in the Redux. And Kurtz is a more noteworthy Corrupt One in the fresh version, not distinguished more than a shadow.

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What gets me is that, in the press releases that came out with Redux, Coppola claimed that he no longer considered the 1979 version of Apocalypse to be “fresh.” He felt that, today, it comes off as a rather ordinary film. So he integrated an extra 50 minutes into the movie, to produce it more new. The thing is, the Redux is, if anything, MORE normal than the fresh. After all, you acquire more character development, a romantic subplot, etc; all the things the recent (and fresh), current version lacked. The very lack of these things is what gives the new such a mysterious, perilous edge. There is no levity in the unique, no stealing of surfboards, no Playmates for the PBR crew. Only the shaded jungle, and the mission.

If it’s moral that Coppola wanted to gain the novel version even more recent, then I wonder why he chose to add the Plantation sequence and the Playboy Bunnies escapade. Having seen the Work Print, I know that there is a wealth of material Coppola could’ve broken-down. Bizarre? Novel? How about a scene in which Martin Sheen’s Willard, trapped in a bamboo cage, writhes in afflict as the montangnards (and Kurtz’s American soldiers) dance and chant around him, as they sacrifice a pig? Or how about Willard, collected in the cage, being questioned by Kurtz, who tells Willard that he’s as passe as his “colleagues in Washington? ” Or how about possibly the most bizarre scene of all: Dennis Hopper’s Photojournalist being shotgunned to death by Scott Glenn’s character Colby?

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Coppola could have aged any or all of these scenes to design a truly “unique” film, one that would successfully fabricate a darker film. If anything, the extra scenes in Redux lighten the film’s mood. Coppola could have even improved on the ruin of the movie. That’s one thing that’s always bothered me about Apocalypse Now. Willard’s hired to abolish Kurtz; when he finally does, all he has to do is fair hasten into Kurtz’s temple, capture out one guard, and then procure to hacking at Kurtz. It comes off as so easy, you wonder why the Army even bothered hiring Willard. This dilemma is solved in the Work Print, which features Willard taking on a host of guards, including one homely scene in which he spears an American guard who cowers gradual a young, Vietnamese boy. Now, if you ask me, that’s more “current” than a bunch of French people arguing politics at the dinner table! But unfortunately, Coppola has chosen not to consume these scenes, in either official version of the film.

I don’t intend to mislead, though. I judge the Redux is comely, a five-star movie. It expands on the broader themes of Apocalypse Now, but at the same time lessens the impact of the movie itself. After having watched the Redux a few times, I popped the unusual in for the first time in a few years. I was amazed at how the film seemed so different than the Redux, so grand more psychedelic and surreal. Even the fades and images shown in the beginning and the kill are different in the modern, more disturbing. And that’s the main disagreement between the two versions: the new is worthy more disturbing.

I’ll attain with another quote, taken from the web. Which director do you contemplate is better, the Francis Coppola of 1976/1979, or the Francis Coppola of 2001? Of these two very different directors, whose vision would you be more willing to trust?

1/27/09 update: Six years ago I also had a review for the “Redux” DVD here on Amazon. Somehow it’s been removed from the region — it seems Amazon has combined the reviews for the fresh Apocalypse Now DVD release with the reviews for the “Redux DVD” release. And since Amazon has a policy that a reviewer can only post one review per item, it appears that my “Redux” review got the boot. I’ve rescued it from oblivion via a Google cache search; please notice the Comments part, below, for the review.

This review refers to the Widescreen Collection(Paramount) DVD edition of “Apocalypse Now - Redux”……

In 1979’s “Apocalypse Now”, Francis Ford Coppola presented us with a mesmerizing, elegant perceive at the horrors of Viet Nam. It was a film that looked at the hearts and minds of the soldiers and the effects the brutualities had on them. A sparkling work at the time, you wouldn’t absorb it could be any better. But now, more than 20 years later(and well worth the wait), Coppola has seen his vision completed, with the reediting of the film and the addition of previously deleted scenes, to bring us this gift of the even more mesmerizing “Apocalypse Now Redux”.

There is an additional 49 minutes now, and although I don’t feel that every itsy-bitsy of it was notable to making this classic film an even better one, there is a novel record here that helps us portray to the frame of mind of the soldiers. A scene where the boat crew takes time out for a rendevous with the playboy bunnies is one example of that.And although this scene may be a bit of a shocker at first, as it introduces a sexual situtaion where it was previously non exsistent, it gives us a greater thought of what’s going on in their heads. The added scene of the time spent on the French Plantation was again an eye-opener, and the funeral for “Mr. Well-kept” also was a welcome addition as it gives us a closure to the closeness we felt to this character. And of course, a shrimp more time with the insane Colonel Kurtz was enlightning as well (who wouldn’t want to utilize a diminutive more time with any character of Brando’s? ) .

The new film from 1979 received 8 nominations by Oscar, including Best Characterize, Director, and a supporting actor nod for Robert(”I cherish the smell of Napalm in the morning”) Duvall. It took home well deserved Oscars for Cinematography(Vittorio Storaro) and Sound.

It stars Martin Sheen as Lt. Willard, who beset with his beget emotional problems is sent on a unsafe mission to “stop” the esteemed Col. Kurtz, played brillantly by Brando, who has now been driven insane by “The Awe” of it all. Willard is escorted into the wilds of Cambodia by a boat crew including a young Laurence Fishburne and Frederick Forrest. You will also score Dennis Hopper, Harrison Ford, Sam Bottoms,Albert Hall, and Christan Marquand in this extraordinary cast.

The DVD is beautifully remastered. You won’t miss a thing with the widescreen presentation and the astounding Dolby Digital 5.1 Surround sound. The colors and sounds of the jungles are captured wonderfully.There are no Special features, but may be viewed with English subtitles is needed. The scene selection does explain which are the novel scenes which is quite apt if it’s been a while since you’ve seen it.

Still can’t settle between the recent and the Redux. This film is a love in any accomplish. It’s a part of cinematic history that’s probably worth getting both editions if you can. If not, give this one a try. It’s a must for fans of classic cinema.

“Never Procure Out of The Boat”….Lt. Willard….thanks and savor..Laurie

recommended reading:Into the DMZ A Battle History of Operation Hickory, May 1967, Vietnam(contemplate my review for details)
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Stream Monty Python’s the Meaning of Life Online. Movie Title: Monty Python’s the Meaning of Life Average customer review: Monty Python’s the Meaning of Life can be downloaded right now. Click Here to Stream or Download Monty Python’s the Meaning of Life

Seeing this movie for the first time when it came out back in 1982, I remember telling my friend, “This is the coolest movie ever!” Coming back to it, I can proudly say my feelings for it have not diminished one iota.Its detractors say, “It’s disgusting!” Yes, it is. An impossibly fat man explodes in a miasma of viscera and puke. But if you take note of the personality of the character in question, you could look at it as the Pythonian equivalent of Karma.It’s oppnents scream, “It’s filthy”. Bingo. A stuffy schoolmaster and his wife demonstrate coitus for a bored classroom of schoolboys during sex-education class. During the lesson, the teacher admonishes a student to pay attention. “After all, this is for your benefit,” he chides. A man so cut off from his own emotions, that not even sex interests him on a personal level.Its nay-sayers chant, “It’s blasphemous!” You betcha. In a production reminiscent of the ones in ‘Oliver’, a Catholic family, apparently numbering in the hundreds, sings “Every Sperm Is Sacred”. Maybe so, but why is papa so anxious to sell them all off for medical experiments?Fans say, “It’s clever”. I defy anyone to find a more clever song in a movie than “The Universe Song”, a hummable Cole-Porterish ditty containing a pocketful of useful factoids about this wonderful material plane which we call home.Python disciples say, “It rings true”. It does for me. That’s why I laugh so hard.The usual Python targets are all here, all to illustrate a very valuable point. I think it’s something like: Life is really short, the world is a confusing mess, hypocrites and scoundrels are plentiful, stupidity is more plentiful than any other substance in the universe. The meaning of life is to try your best to dodge all of this meaninglessness and do so with a measure of personal grace. The meaning of life is in how we face what is thrown at us. The Pythons do it by allowing themselves, and us, to laugh at it.

Up to their old tricks again, the Pythons finally brought their sketch comedy to the big screen. Putting together a series of unconnected skits with a common theme, they actually pulled it off, though most said it could never be done. As with all of their work, this movie contains several lines that fans will repeat over and over. “Every sperm is sacred!” Most of the skits went down as some of their greatest work, from Cleese teaching Sex in a private school by demonstrating it with his wife in front of the class, to the grossest scene ever performed in cinema, “Mr. Creosote.” Absolutely a must-see for anyone with even the faintest of senses of humor.

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This DVD presentation is also very solid, including a Making Of feature that lets the personalities of the individuals show through, including Cleese’s disdain for doing this film. Some of the extras can be ignored, but I still found myself sitting down for over two hours to check them all out, and I was not disappointed.

Streaming A.I. - Artificial Intelligence Online. Movie Title: A.I. - Artificial Intelligence Average customer review: A.I. - Artificial Intelligence is available for streaming or downloading. Click Here to Stream or Download A.I. - Artificial Intelligence

This may well be the last big-budget art film we ever see, folks. Word of mouth is killing it, but Hollywood has itself to blame — and Spielberg can take some of the blame too. We all “want to be entertained”, but there was a time when this didn’t mean leaving your entire brain at home. A satisfying movie was one that engaged all, or most, of your faculties, albeit pleasurably. That’s all different now. The industry has spent the years since Jaws, Star Wars and Rocky, and particularly the last decade, weaning American audiences off films that don’t flatter them, don’t satisfy their cravings for power and sex fantasies, don’t reinforce their disgust toward people less clever or fashionable, don’t leave their point of view unchallenged, and don’t always leave them cheerful, triumphant, “uplifted”, and feeling as hip as anybody else. I just read a letter-to-the-editor saying A.I. was the worst film the letter-writer had ever seen, because it left her feeling disturbed; it ripped her heart out and left it lying there. Well, how much of the world’s cinema could this woman not enjoy? Chinatown, Citizen Kane, Midnight Cowboy, Blade Runner, La Dolce Vita, The Parallax View, Black Narcissus, Papillon, Raging Bull, in fact nearly anything by Stanley Kubrick, Nicolas Roeg, Ken Russell, Orson Welles, David Lynch, Franklin J. Schaffner, Sam Fuller, Ingmar Bergman, half of Shakespeare’s output. A.I. is NOT McDonald’s moviemaking!! It does not deliver on cliche’ payoffs, it doesn’t connect all the dots for you, it requires you to put two and two together occasionally. It doesn’t traffic in cheap irony, phony uplift, contrived suspense, or sugarcoated homilies delivered as profound truths. It is for those with the palate for a richer diet of subtler flavors. It is fresh. For those who feel it doesn’t develop any of its ideas but always takes the wrong course, realize that this is a picaresque, an innocent’s (or semi-innocent’s) journey through a world of rogues and vagabonds — a genre older than Voltaire’s Candide, and as recent as the re-release of Apocalypse Now. For those who think it’s aliens at the end, note the astonishment of those strange beings that David has been in contact with LIVING things — meaning they themselves aren’t living, so must be robots. Our creations will inherit the earth. This conclusion was as Kubrick intended, even to the final virtual recreation of Monica, although Kubrick intended to show her fading out of existence before David’s eyes. Spielberg elects to spare us this, though we know it will happen. For those who feel it makes no point, but add that it manipulates your emotions with the torments of a little boy, let me say that IS the point: for he is NOT a boy, but a machine; if you feel any emotion for this machine because it RESEMBLES or ACTS LIKE a boy, that IS the entire point: what is it you are actually responding to? To the reality, or to certain surface characteristics? Doesn’t it strike you that this is the foundation of ALL manipulation and deception? Note that this is raised during the flesh fair by the robot-hunter, who tells the audience they are being manipulated by a robot designed to appeal to their emotions. He is quite correct; but his response is to destroy it for its very deceitfulness. The crowd takes the appearance for the reality and attacks the robot-hunter for (apparently) endangering a real boy. But this robot is designed to manipulate its owners not for any sinister purpose, but solely so that they may love one another. THIS IS WHAT HUMANS ARE ALSO BUILT TO DO! It’s been said that if babies and toddlers weren’t so cute, they would have been destroyed by their parents millennia ago and the race would be extinct. But we are programmed as thoroughly and deeply as David the robot: note what we respond to. Roger Ebert, on the other hand, has programmed himself to make other distinctions, and feels nothing for David BECAUSE he’s a machine. Roger was not manipulated, and this says something about him. The point of the film is NOT what robots may be able to do, but the limitations of human beings. We are constantly reminded of human programming. We watch a female robot put on her makeup in the beginning, then we see Monica — putting on her makeup. She grieves for her son, but we first see him as unconscious as a doll in cryogenic suspension; then we see him brought home, mother all joyful — still inert, with tubes sticking out of him. Later, he informs David that “I’m real” — and rises to walk on electronic leg braces, like a bionic cyborg. In the flesh fair, people respond to the apparent humanity of robots with hatred, to the apparent humanity of a boy-robot with sympathy. No surprise; we adore cute children but regard adult strangers with suspicion,and perhaps hostility. Evolutionary programming? If you think our capacity to learn and alter our “programming” distinguishes us, be reminded that artificial intelligence systems are designed to do just that. Finally, if David’s quest is too monotonously one-dimensional, I ask, have you never met an obsessive? This film is not being given a fair shake by many critics, and even by many of its supporters. There is more here than meets the eye, but many of us have allowed Hollywood to program us to respond positively only to movies with certain characteristics. If you think it’s long and slow, could you sit through 2001: A Space Odyssey or Barry Lyndon or Lawrence of Arabia? If you think it’s disturbing, didn’t you feel that way watching Blade Runner (which also failed on its initial release)? This film will be revisited someday, and you can help. Give it another look. My wife and I are going to see it for a fourth time tonight. We’re not fanatics, and the film is not perfect; but it is layered and subtle (unusual for Spielberg), and grows on you.

First and foremost, don’t listen to any critic’s opinion, or the opinion of any disgruntled friend that might have stumbled upon the film. This is a “love it or hate it” film, with little room for middleground, and you will not know where you stand until you see it for yourself. Do not judge it without viewing it.

That said, A.I. is a visually spectacular, emotionally moving, and mentally arousing tale about the quest of a little, unloved robot boy programmed to love the programmer. When David is shunned by the world he was born into, he embarks in a journey of great physical, emotional, and temporal expanse to find the only thing he was ever programmed to want. While the story itself is entirley original, in essence it is a futuristic portrayal of the fairy tale Pinocchio, complete with the mysterious blue fairy. Plot aside, the movie is expertly crafted in the hands of Spielberg and his actors. Spielberg seamlessly meshes futuristic sci-fi style with fairy tale sentimentality to create a visually rich and captivating future that deserves nothing but the most earnest praise. The actors bring this world to life brilliantly, most especially Haley Joel Osment in the role of David. The weight that this role carries is astounding, something I wouldn’t entrust to some of the most skilled adult actors. Yet Haley is without a doubt one of the most talented actors to grace the scene, age be damned, and he gives the role the infinite, nearly impossible justice it deserves. Rock on Hailey, rock on.

Like many viewers, I watched the last half hour through a filter of tears despite my noble efforts to restrain an emotional outburst. The last 30 minutse are so angering, heartbreaking, and beautiful, and the characters so real, that it’s difficult not to feel for them. The entire movie is one emotional rollercoaster, at times terrifying, beautiful, humorous, and haunting. Certain scenes will stick with you for life.

Never before has a movie inspired so many questions about the nature of humanity, love, and reality in my mind - it had me pondering for weeks. What responsibility DO we hold to the things we create? This question, while intriguing, also serves as a subtle warning. A.I. is so epic in scope, so deep with meaning, and so rich in talent that it merits saying that anyone who dislikes this movie has failed, truly, to understand it.

Streaming Aqua Teen Hunger Force Colon Movie Film for Theaters for DVD Online. Movie Title: Aqua Teen Hunger Force Colon Movie Film for Theaters for DVD Average customer review: Aqua Teen Hunger Force Colon Movie Film for Theaters for DVD is available for streaming or downloading. Click Here to Stream or Download Aqua Teen Hunger Force Colon Movie Film for Theaters for DVD

After reading numerous criticisms from the press and seeing similar reviews on amazon I am aware that this makes me the minority….but I loved it. Aqua Teen Hunger Force Colon movie wasn’t supposed to be the next best movie of all time. It was made with under a million dollars and wasn’t even a wide release. Everyone expected it to get panned, and we knew all along that this would be a movie purely for the fans. And the fans love it!

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Everyone in the theater seemed to love it too. The first 30 minutes are admittedly the best, but people were cracking up pretty much up until the end. If you like the Aqua Teen Hunger force show, you should like this. It is exactly what you would figure the movie to be: It is structured the same way the shorts are, but with much more content. Actually, when you take one of the seasons on DVD and do the “play all” that’s basically the equivalent of watching this movie. Yeah, there is a plot line consistent through the movie, but that plot line is paper thin. Essentially, you could start the movie halfway through and wouldn’t feel like you missed anything.

Look, if you like the show, this is like a marathon. If you didn’t get it in the first place, then why are you concerned with it? It was made for US. The fans. And the large majority of us enjoyed it. My girlfriend even laughed a few times, and she had no idea what was going on.

Plus, the Mastodon song in the opening sequence…PRICELESS.

Watch Ghost in the Shell: Stand Alone Complex, Volume 07 on PSP. Movie Title: Ghost in the Shell: Stand Alone Complex, Volume 07 Average customer review: Ghost in the Shell: Stand Alone Complex, Volume 07 is available for streaming or downloading. Click Here to Stream or Download Ghost in the Shell: Stand Alone Complex, Volume 07

In addition to the 2-disc DD/DTS DVD, the GITS:SAC Vol. 7 SE comes with a metal collector’s box for all 7 DVDs of the first season. It also comes with a white Laughing Man T-Shirt and a Tachikoma ID card.

would rate the show as 5 stars, this is a review of the extras and features of the Special Edition issue.

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I recently bought all the Special Edition releases of “Stand Alone Complex” after trying to research what I was going to get as extras not included in the regular edition. I found the listings on Amazon’s product details to be a little confusing and incomplete on some of the volumes so I decided to write this guide for others trying to decide. I’m not going to review the “Ghost in the Shell” episodes or the series in general because there are so many excellent reviews already on this site, and most of you probably know about this great anime TV series already. There are various other reviews that say that some of the DVD’s and CD’s have errors on them and Bandai will replace them with corrected discs if you send them in for exchange. I have not ran into problems yet, although I haven’t gone through the whole series either. And I will also state that I love the TV series as well as both movies, but I would recommend the Imported Region 2 version of GITS2:Innocence if you have a region free DVD player. Dreamworks really messed up that release omiting the English dub and putting Hard of Hearing subtitles instead of regular ones on the early issues of that movie. Most people find them very distracting and annoying.

First off the discs themselves, you get two DVD discs in each volume with the same episodes on both discs. Volumes 1-5 have 4 episodes each, 6 and 7 have 3 episodes each making 26 episodes total in the series. Both discs are Anamorphic wide screen encoded directly from the High-Definition Masters. Both Discs also have English subtitles. Each set also has two interviews with voice cast or someone associated with the production of the anime, and a printed DVD insert pamphlet or booklet with different interviews and such for each volume. All discs are Region 1.

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Disc one has Dolby Digital 5.1 in Japanese and English, and Dolby Digital 2.0 in English and Japanese.

Disc two has DTS 5.1 in English and Japanese and a Dolby Digital 2.0 English track.

Volumes 1 and 2 include soundtrack CD’s of the music of Yoko Kanno, the most excellent and versatile composer of the music in the TV series. Anime lovers know her work from the many fine soundtracks that she’s done for countless other anime movies and TV series.

Volume 3 has a Black XL Fruit of the Loom Tee-Shirt with the section 9 logo on the front and a Major Kusanagi graphic on the back. Nice shirt!

Volumes 4 and 5 have a collectable I.D. cards for a section 9 member.

Volume 6 has a Black XL Fruit of the Loom Tee-Shirt with the section 9 logo on the front and a Batou graphic on the back, and another I.D. card. Nice shirt again!

Volume 7 has another Tee-Shirt! This time it’s a White XL with the section 9 logo on the front, and the Laughing Man logo on the back! Once again nice shirt! It also comes with a tin box that’s supposed to hold all 7 volumes of the DVD set. I was excited about getting the box but when it arrived I was disappointed with the design. It’s kind of like the rectangular lunch box that you used to take to school as a kid, without the handle and latch. Its also of a thinner metal that dents easily. It has marketing type of printing on the backside that pertains to vol. 7 only, and the DVD cases stack inside one on top of the other. The spines of the cases are not visible when you open the box, only the front of the last case you put in. So you have to take all the cases out of the tin to get to a specific volume. There’s also not room for the cardboard sleves that the DVD’s were in when you got the individual volumes, and no room for the soundtrack CD’s either. All said, I was disappointed with the box. Because of it’s odd dimensions it doesn’t stack in well with my DVD library. I would have much preferred the normal five sided box that usually comes with DVD sets.

Overall I’d say it’s worth it to buy volumes 3, 6 and 7 new to get the shirts if they interest you and pick up the others used if you can to save some money on the series. That is if you’re interested in the DTS soundtrack options. I much prefer the DTS mixes to Dolby Digital and wanted the soundtrack CD’s as well. Also the cardboard boxes that come with volumes 3 and 6 are better than the tin box to store your set in when you complete the series, if you stack them on shelves one row of DVD’s on top of another row, and you can fit the movies into those boxes as well to fill them the rest of the way.

Watch Sex and the City - Season Six, Part 1 Free. Movie Title: Sex and the City - Season Six, Part 1 Average customer review: Sex and the City - Season Six, Part 1 is available for streaming or downloading. Click Here to Stream or Download Sex and the City - Season Six, Part 1

I am a die-hard S&TC fan. I absolutely LOVE the show - and will definitely buy the 6th season disks - but COME ON!!! Haven’t we (S&TC fans) shelled out enough dough for this show. Not only do we have to pay just to watch the show, but we buy the merchandise as well. The fifth season was ok - but full price for an 8 episode season? And now they’re breaking the 6th season in 2 releases and charging full price for both? HBO - thy greed runneth over - WAY over!

I just want to state that I am one of the biggest sex and the city fans you’ll meet, but I cannot believe that HBO is splitting season 6 up just so that they can charge us twice as much! I haven’t even gotten myself to buy season 5 yet, and I’ll probably hold off on buying this one as well. Yes, this is one of the best shows that has ever been on television, but considering the dvds have absolutely no special features and HBO is going to be showing every episode again in the upcoming months, I think I’ll probably just be taping the episodes and saving myself $65.

The best movie ever is My Bodyguard. Movie Title: My Bodyguard Average customer review: My Bodyguard is available for streaming or downloading. Click Here to Stream or Download My Bodyguard

For some reason, I always thought this movie took place in New York, but seeing it recently, and seeing the scene where the boys ride around Daley Plaza, I realized it takes place in Chicago. Pretty sad considering I grew up just north of Chicago and a few famous landmarks are visibly present within a number of scenes.

Anyway, Clifford Peache (Chris Makepeace) has a problem besides his really bad mushroomed shaped harido. Having just transferred from a private to public school, Clifford has run afoul of a gang of toughs, led by Moody (Matt Dillon) whose main source of income is extorting money from kids under the premise of protection from another kid, Ricky Linderman (Alec Baldwin). See, legend has it that Ricky, a boy larger than most, has done all kinds of things from killing a kid, raping a teacher, to shooting a cop. Moody and his gang claim to provide protection from Ricky, but, really, they are only providing protection against themselves, because not paying Moody would result in a beating from Moody or any of his cronies. Clifford angers Moody and his goons by refusing to pay, which results in all kinds of harassment.

Clifford, seeing that even the bullies are afraid of Ricky, approaches Ricky to try and make a deal to get him to be his bodyguard. Ricky agrees initially, but backs out as Clifford tries to learn more about Ricky, about his past and why he’s so feared. I’ve noticed some reviewers have tried to infer some sort of burgeoning homoerotic relationship between these two characters, but I really didn’t see it. It’s sad that two male characters in a movie can’t develop a close friendship without some people labeling it as something other than what it is…I actually found that notion a little offensive and silly as this is a charming little movie that portrays one boy, who shut nearly shut everything out after a tragic event opening up to a friend. In the end, the boys develop a friendship, but also get more in that Clifford learns how to stand up for himself and Ricky seems to come to terms with a past event that isolated him and made him feared throughout the school.

Look for appearances by Martin Mull, Ruth Gordon, Joan Cusack, John Houseman, George Wendt, Tim Kazurinsky, and Jennifer Beals. The movie is presented in full screen and wide screen formats, and looks really good. The audio is solid, but there are English subtitles if needed. One of the many things I appreciated about this movie was the use of real teenagers to portray teens on the screen. It really annoys me seeing some twenty something being passed off as a high school student as seems fairly common nowadays. Also, it seemed the entire movie was shot on location in Chicago, rather than on a soundstage, providing a bit of a gritty, realistic feel. This was a nice, subtle touch that served to make a great movie that much better. Overall, an excellent movie I would recommend to most anyone.

It’s a commentary on the Year 2001 (and not a pleasant one) that My Bodyguard, made in 1980, now seems almost as old-fashioned as Boy’s Town. Sure, an occasional curse word crosses the lips of the teen characters in this movie, and boogers and toilets are mentioned in passing. But even the school bully isn’t a sex-crazed moron, and no one is shown doing distasteful things to mice, apple pies or hair mousse. It’s just the sweet, likable story of Clifford Peache, a nice, smart kid bullied by a nasty school clique led by the loathsome Melvin Moody, and Ricky Linderman, the hulking loner with a violent reputation whom Clifford hires to protect him from Moody and his thugs. Clifford and Linderman become pals, Clifford learns Linderman’s dark secret, and both learn a great deal from each other about friendship and courage when Moody tries to double-cross them. That’s all there is to the movie, except for a subplot about Clifford’s harried hotel-manager father (Martin Mull) and raffish grandmother (Ruth Gordon). It’s no masterpiece, but it is pleasant and surprisingly memorable, thanks largely to the touchingly real performances of the teen stars. Adam Baldwin, who made his film debut here, is outstanding as Linderman; why he hasn’t had a better subsequent career is utterly beyond me. I also have no idea why Chris Makepeace’s career was essentially over by 1985. Only Matt Dillon has had a real star career–undoubtedly because he was the only one with leading-man looks. Director Tony Bill makes good use of the Chicago locations, and Joan Cusack also had her film debut here in a small role.